Samah Ali is a distributor and film programmer based in New York City and Toronto. A lover of documentaries and virtual reality, she programs for Academy Award qualifying festivals DOC NYC, Hot Springs Documentary Film Festival, and Hot Docs Film Festival. She is also the founder of Sisterhood Media, a production and distribution company streaming films on their platform, Sisterhood Media TV.

Xiaoxiao Chen is a professional editor managing post production processes and storytelling techniques for feature and select short documentary and fiction films, TV, commercials and art exhibitions. Clients include HBO, Apple, New Balance and more with works screened at Cannes Film Festival, DOC NYC, Museum of Modern Art, TCL Chinese Theater in Hollywood and the United Nations.

Evy Constantine is the Head of Social Impact at Odyssey Impact® where she leads the impact team, and strategy and execution for all impact campaigns and initiatives. She is a graduate of Northwestern University’s School of Communication where she earned a Master’s degree in Leadership for Creative Enterprises, graduating summa cum laude. She holds a Bachelor’s degree, summa cum laude, from The New School in New York City where she majored in Film and Media Studies, concentrating on all aspects of screenwriting. She holds a certificate in Negotiation Mastery from Harvard Business School. She has produced Award-winning films with KaplaniKid Productions, which have had their debut screenings at the Festival de Cannes.

Evy has held positions at various film and media companies, including Media Strategist at Spark Foundry, and handling Acquisitions and Development Strategy for film streaming start-up, Flix Premiere. She is a member of IDA, ACLU, NAACP and the Impact Guild, and a very proud and active member of both The New School Alumni Association and the Northwestern University Alumni Association, where she serves on the Alumni Admissions Council.

Nancy Dionne is an award winning documentary filmmaker, producer and photojournalist. She says that “A good film can show you what a person or situation looks like but a great film allows you to feel what it’s like to BE that person in that situation.” She is a Yahoo!Japan Creator artist, founder of both “Express Your Last Wishes: Leave in Love” which helps people clarify their intentions for loved ones and founder of “On A Threshold Films.”

Past projects include her own “All I See is the Future” and the “Future is Rotten”, Transform Films, Inc. “Stranger/Sister” 2020, BreakThru Films “New Voices” segment for the 2018 Oscars, Lizzie Gottlieb’s “Turn Every Page”, Lost Footage Films for The Wall Street Journal Magazine “Columnists” series, Hitman Productions ITVS series pilot “Should We Kid or Not?” and Director Dempsey Rice’s “The Animated Mind of Oliver Sacks”.

Nancy has worked and judged for the IDA, SF Film Festival and graduated on the Dean’s List from the New York Film Academy’s intensive documentary program and with honors in photography from the San Francisco Art Institute and is working on her third film about musical conductors.

Follow her @photonancydionne @AllISeeistheFuturedoc @TheFutureisRottendoc

Cassidy Friedman’s films have been called “powerful” by Mother Jones, “must-see” by The Mercury News, and “an audience favorite” by SF Chronicle. Our award-winning documentaries have premiered at festivals like Hot Docs, Cinequest, and Nashville and are widely available through our distributors, Lionsgate and Indican Pictures.

He directed the feature-length critically-acclaimed documentary, Circles (2018), which follows a dedicated high school counselor who struggles to balance the energy he pours into supporting his at-risk students and his relationship with his own son. (World Premiere Hot Docs; Winner Best Feature Documentary Covellite International Film Festival; Winner Best Feature Documentary Huntington Beach Film Festival; Winner Documentary Jury Award Special Mention Milwaukee Film Festival; Best Documentary Feature Nominee Nashville Film Fest; Official Selection Heartland International Film Festival; Virginia Film Festival; SF DocFest, and distributed by Indican Pictures).

He produced the documentary feature, Voices Beyond the Wall (2017), with Executive Producer James Franco, an Official Selection of the Miami International Film Festival; Winner of the Interfaith Award for Best Documentary at the St. Louis International Film Festival and Winner of the Frank Little Award for Self-Sacrifice and Social Change at Covellite International Film Festival, a coming-of-age story of girls in Honduras’ only orphanage for girls (distributed by Vision Video).

Cassidy directed the docuseries, Detroit Rising (2020), with Producer Kerra Bolton, a columnist at CNN, which won Best Web Series at Cyrus International Film Festival, and received Special Mention for Best Documentary at the Venice Shorts Film Festival.

He also directed a score of documentary shorts, both independent and for clients, including Finding Hope (2021), an Official Selection of Nassau Film Festival, New Hope Film Festival, Media Film Festival, Flicks4Change and The Film Collective and Unstill Life (2014), Official Selection of the 2014 Long Island International Film Expo and The SoCal Creative & Innovative Film Festival. And he directed the virtual reality experience, A-Block, US History, featuring slam poet champion, CeCe Jordan.

Through Stories Matter Media, he continues to make films that prioritize relationship, employ collaboration between filmmaker and film subject, and veer away from antiseptic plot lines in order to complicate narratives, and capture the authentic lived experiences of the characters.

He is in post-production on the feature documentary, Soledad, which follows three men seeking a second chance after prison as the nation explores reforming its prison system.

He and his wife, Becca Vershbow, Stories Matter Media’s Impact Producer, dreamed up their company as an engine for high-impact stories that make us fall in love with the characters, break our hearts at the hurdles they must overcome, and model for us how we can turn the signature trait of our humanity, our empathy, into action, communicate across difference and reform the core American institutions that are not living up to our common values.

Cassidy is a fellow of CIFF’s Points North Fellowship, Film Independent’s Fast Track program, and Film Independent’s Documentary Lab. His films have won grants from the International Documentary Association’s Pare Lorenz Doc Fund, Pacific Pioneer Fund and Center for Investigative Reporting. His prior work as a journalist earned him the Idaho Governor’s Award for Excellence in Journalism in 2009.

Ella Glendining is a Writer/Director dedicated to telling authentic disabled stories. Her first feature film, IS THERE ANYBODY OUT THERE? premiered at Sundance Film Festival 2023 as part of the World Cinema Documentary Competition. Ella has written/directed short films with backing from Film4, the BFI, Arts Council England, Screen South, and the National Paralympic Heritage Trust. Ella was named one of Screen International’s Stars of Tomorrow 2020. She is currently writing a feature fiction film called CURIOSITIES OF FOOLS for the BFI.

Nailah’s acclaimed work has been distributed domestically and internationally on the film festival circuit, theatrically and televised. Her latest feature “Donyale Luna: Supermodel”, an HBO Documentary Film, explores the remarkable life and career of the first Black supermodels who graced the covers of both Vogue and Harper’s Bazaar in Europe in the 1960s and 1970s but was blocked by US success.

Her next feature, COMMUTED, follows 51 year old Danielle Metz, whose triple life sentence was commuted by the Obama Administration in 2016. Previous films include: DESCENDED FROM THE PROMISED LAND: THE LEGACY OF BLACK WALL STREET, VANISHING PEARLS, Essence Magazine’s BLACK GIRL MAGIC Episode 4 and PLAQUEMINES.

Melissa C. Potter currently serves as the Vice President of Strategy and Impact at Paramount formerly, ViacomCBS/MTVEntertainment Group (MTV, VH1, Comedy Central, CMT, Logo, SmithsonianChannel, Paramount, POP Tv, and TV Land). The role enables her to supervise each network’s commitment to the long-term social impact of cultural shifts in society.

Prior to her position at Paramount, Potter served as the Head of Social Impact and Communications for Odyssey Impact® and Transform Films, she used film, technology, and new media as a catalyst for social change. For the film “The Rape of Recy Taylor” which won the prize for Human Rights at the Venice Film Festival, she received the 2018 NAACP Image Award nomination as Impact Producer for the film. By building awareness and changing attitudes towards issues of social justice such as women’s rights, gender based violence, criminal and gun law reform, and religious freedom, she led conversations around subjects concerning our nation’s diverse and often underrepresented populations.

As the Head of Social Responsibility and Partnerships at The National Family Engagement Alliance, Potter identified and measured solution-oriented practices for public and private partnerships such as the Scholastic Corporation. She launched the national Read2BGreat campaign with an emphasis on community engagement utilizing social influencers, garnering sponsorships, and fostering a culture of charitable giving.

Potter was at the NAACP Legal Defense Fund where she served as the organization’s primary media contact and spokesperson to develop communications strategies for federal, state and Supreme Court initiatives. She went on to work at the American Civil Liberties Union, where she led strategies on voting rights, criminal justice, disability rights, juvenile justice, and racial justice at the non-profit advocacy organization. While at the ACLU, as a team leader, she created and managed several multi-tiered advertising and marketing campaigns and was the direct liaison to celebrity spokespersons.

Fully committed to working with mission-driven organizations, Potter brings her talent, drive, extensive skills, and analytical focus to any organization. She has been featured and quoted in The New York Times, New York Daily News, The Washington Post and Essence Magazine, as well as others, and has been a speaker at SXSW, ImpactROI and Classy.org amongst many more.

A native of New York, Potter received her Bachelor of Arts in Sociology from Northeastern University and Masters in Corporation Communication and Public Relations from New York University. Potter joined the NJCA Board of Directors in 2020. She also serves as the Chair of the Board of Directors of Fostering Change for Children. She was awarded “Change Agent of the Year” in 2018 from the Digital Diversity Network, is a Webby Anthem Awards juror and a Diversity Committee Member for Transform Films. She is also a member of Alpha Kappa Alpha Sorority, Inc.

Potter currently resides in Mt. Vernon, New York with her husband and daughter.

Rudy Valdez is an Emmy Award-winning Michigan-raised, New York City-based filmmaker committed to creating social, cultural, and political stories through a cinematic and meaningful lens. He got his start in film as a Camera Operator on the Peabody Award-winning, Sundance series Brick City and went onto direct a true passion project, The Sentence (HBO). Shot and directed by Valdez over the course of a decade, this feature documentary tells the very personal story of his sister’s plight in the criminal justice system while tackling subjects like mandatory minimums and sentencing reform. For this work, the filmmaker won the 2019 Primetime Emmy Award for Exceptional Merit in Documentary Filmmaking, US Documentary Audience Award at the 2018 Sundance Film Festival and was a 2018 Critics Choice Documentary Awards Best New Director nominee.

Prior to The Sentence, Valdez has worked as a Cinematographer on a multitude of projects including: The Last Patrol (HBO), directed by Academy Award-nominated Director Sebastian Junger; Whoopi Goldberg presents Moms Mabley: I Got Something To Tell You (HBO) produced and directed by Whoopi Goldberg, premiering at the 2013 Tribeca Film Festival; Remembering the Artist, Robert De Niro, Sr., (HBO), premiering at the 2014 Sundance Film Festival; The Conversation Series, a New York Times OpDoc; the series Second Coming?: Will Black America Decide the 2012 Election? (BET); Prison Dogs, directed by Primetime Emmy Award-winning Director Geeta Gandbhir and Perri Peltz, premiering at the 2015 Tribeca Film Festival; Buried Above Ground, directed by Ben Selkow, premiering at the Woodstock Film Festival; as well as, The Talk (PBS), directed by Academy Award-nominated Director Sam Pollard.

Valdez’s most recent project, ReOpening Night, a feature film about The Public Theater’s staging of a beloved New York City institution, Shakespeare in the Park, following the COVID-19 pandemic. It will premiere on HBO Max December 20th. This summer, Breakaway, a feature film following WNBA superstar, Maya Moore and her fight for criminal justice reform, premiered on ESPN in July 2021 (produced by Rockin’ Robin Productions); and its complementary short, Make Him Known, premiered at the 2021 Miami Film Festival and made appearances at the Sarasota Film Festival, The Brooklyn Film Festival, Minneapolis Film Festival, and Nantucket Film Festival. His four-part docu-series, We Are: The Brooklyn Saints (produced by Imagine Documentaries), is currently streaming on Netflix. He also co- directed the premiere episode of Through Our Eyes (HBO) alongside Academy Award-winning director, Geeta Gandbhir, a four-part docu-series from Sesame Workshop that explores the lives of American families from the perspective of children; how they navigate their circumstances with their families and the world at large. He is also in production on the definitive feature documentary of Carlos Santana (produced by Imagine Documentaries) and Disney +’s CHOIR, a docu-series following the Detroit Youth Choir after their star turn on America’s Got Talent (also produced by Imagine Documentaries). Valdez’s repertoire now extends into the scripted arena as he recently sold a genre TV series he created to Amazon that is loosely based on his family and life experiences.